Rayon Les peintres
Paul Gauguin, 1848-1903 : the primitive sophisticate

Fiche technique

Format : Relié sous jaquette
Nb de pages : 95 pages
Poids : 615 g
Dimensions : 22cm X 27cm
ISBN : 978-3-8365-3223-5
EAN : 9783836532235

Paul Gauguin, 1848-1903

the primitive sophisticate


Collection(s) | Series 2.0 Basic art
Paru le
Relié sous jaquette 95 pages
English translation Michael Hulse
Tout public

Quatrième de couverture

Destination exotic

Paul Gauguin's Pacific visions radiate with colour and sunshine

Paul Gauguin (1848-1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet.

A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when Van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping « everything that is artificial and conventional... »

On Tahiti, Gauguin's unfettered joy in the island's nature, native people, and figurative images found expression in a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring : Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and colour. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women.

Gauguin died alone, on Tahiti's neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguins work in Paris that the artist's profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse. This book offers the essential introduction to the artist's truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.

« Art is either plagiarism or revolution. »
- Paul Gauguin

Biographie

Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther's many titles for TASCHEN include Vincent van Gogh, Pablo Picasso, Art of the 20th Century, and Codices illustres.

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